When Minnie's cafe runs out of croissants, Mickey must deliver them to her fast, fighting wild traffic and other obstacles across Paris.

When Minnie's cafe runs out of croissants, Mickey must deliver them to her fast, fighting wild traffic and other obstacles across Paris.

When Minnie's cafe runs out of croissants, Mickey must deliver them to her fast, fighting wild traffic and other obstacles across Paris.

Mickey and Donald try to buy lunch from a beachside snack shack but are unceremoniously turned down because of the classic No shirt, no shoes, no service admonition.

Mickey and Donald try to buy lunch from a beachside snack shack but are unceremoniously turned down because of the classic No shirt, no shoes, no service admonition.

Mickey and Donald try to buy lunch from a beachside snack shack but are unceremoniously turned down because of the classic No shirt, no shoes, no service admonition.

Mickey longs to visit Minnie atop her mountaintop chalet but quickly realizes that the threat of an avalanche has made the trek up the mountain more challenging than usual.

Mickey longs to visit Minnie atop her mountaintop chalet but quickly realizes that the threat of an avalanche has made the trek up the mountain more challenging than usual.

Mickey longs to visit Minnie atop her mountaintop chalet but quickly realizes that the threat of an avalanche has made the trek up the mountain more challenging than usual.

Mickey buys Minnie a hot dog, but it leads him on a merry chase through New York's Central Park.

Mickey buys Minnie a hot dog, but it leads him on a merry chase through New York's Central Park.

Mickey buys Minnie a hot dog, but it leads him on a merry chase through New York's Central Park.

Mickey braves Tokyo's crazy commuting crowds aboard the bullet train as he tries to get to work on time.

Mickey braves Tokyo's crazy commuting crowds aboard the bullet train as he tries to get to work on time.

Mickey braves Tokyo's crazy commuting crowds aboard the bullet train as he tries to get to work on time.

On the hottest day of the year, Mickey, Donald and Goofy try to find ways to keep cool.

On the hottest day of the year, Mickey, Donald and Goofy try to find ways to keep cool.

On the hottest day of the year, Mickey, Donald and Goofy try to find ways to keep cool.

After a sneaky cat breaks a fishbowl, Mickey attempts to save his pet fish.

After a sneaky cat breaks a fishbowl, Mickey attempts to save his pet fish.

After a sneaky cat breaks a fishbowl, Mickey attempts to save his pet fish.

At a zoo in Beijing, Mickey tries to take a picture of a cute little panda, but it proves to be quite camera-shy.

At a zoo in Beijing, Mickey tries to take a picture of a cute little panda, but it proves to be quite camera-shy.

At a zoo in Beijing, Mickey tries to take a picture of a cute little panda, but it proves to be quite camera-shy.

While Mickey prepares for a date with Minnie, he loses his trademark ears and must hunt them down.

While Mickey prepares for a date with Minnie, he loses his trademark ears and must hunt them down.

While Mickey prepares for a date with Minnie, he loses his trademark ears and must hunt them down.

Mickey's car breaks down near a graveyard, where he encounters a zombie that resembles Goofy.

Mickey's car breaks down near a graveyard, where he encounters a zombie that resembles Goofy.

Mickey's car breaks down near a graveyard, where he encounters a zombie that resembles Goofy.

Mickey enters Pluto in a dog show, but when Pluto gets injured, Goofy is forced to step in as a substitute.

Mickey enters Pluto in a dog show, but when Pluto gets injured, Goofy is forced to step in as a substitute.

Mickey enters Pluto in a dog show, but when Pluto gets injured, Goofy is forced to step in as a substitute.

Mickey is an Italian gondolier trying to woo Minnie.

Mickey is an Italian gondolier trying to woo Minnie.

Mickey is an Italian gondolier trying to woo Minnie.

Mickey and Donald build for Goofy a theme park out of potatoes.

Mickey and Donald build for Goofy a theme park out of potatoes.

Mickey and Donald build for Goofy a theme park out of potatoes.

Mickey agrees to watch over Goofy after he reveals he has sleepwalking problems.

Mickey agrees to watch over Goofy after he reveals he has sleepwalking problems.

Mickey agrees to watch over Goofy after he reveals he has sleepwalking problems.

Donald gets a foot ailment called Flipperboobootosis, which Mickey and Goofy try to cure themselves when Donald won't go to the doctor.

Donald gets a foot ailment called Flipperboobootosis, which Mickey and Goofy try to cure themselves when Donald won't go to the doctor.

Donald gets a foot ailment called Flipperboobootosis, which Mickey and Goofy try to cure themselves when Donald won't go to the doctor.

Goofy volunteers Mickey to fight Pete in a wrestling match.

Goofy volunteers Mickey to fight Pete in a wrestling match.

Goofy volunteers Mickey to fight Pete in a wrestling match.

Goofy invites himself on Mickey's date with Minnie.

Goofy invites himself on Mickey's date with Minnie.

Goofy invites himself on Mickey's date with Minnie.

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)

Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)