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HD The Story of Film: An Odyssey

The Story of Film: An Odyssey

EPS13

The Story of Film: An Odyssey

HD
IMDb: 7.9
2011
62 min

The Story of Film looks at world cinema in the period of 1990-1998 the waning days of the celluloid era and the birth of the digital age. It first looks at the cinema of Asia and filmmakers in Iran (Samira Makhmalbaf, Mohsen Makhmalbaf, and Abbas Kiarostami), China (Wong Kar-wai), Taiwan (Tsai Ming-liang and Hou Hsiao-Hsien), Japan (Shinya Tsukamoto, Hideo Nakata, and Takashi Miike), Denmark (Lars von Trier), France (Mathieu Kassovitz, Bruno Dumont, and Claire Denis), Belgium (Jean-Pierre Dardenne and Luc Dardenne), Poland (Dorota Kedzierzawska), Russia (Viktor Kossakovsky), and Austria (Michael Haneke). Written by Shatterdaymorn

Country: UK
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HD The Story of Film: An Odyssey

The Story of Film: An Odyssey

EPS07

The Story of Film: An Odyssey

HD
IMDb: 8.0
2011

The Story of Film examines European cinema in the period of 1957-1964. It first looks at the works of influential directors Ingmar Bergman, Robert Bresson, Jacques Tati, and Federico Fellini. It examines the French New Wave Movement including the work of Agnès Varda, Alain Resnais, François Truffaut, and Jean-Luc Godard). It then looks at New Wave filmmakers in Italy (Pier Paolo Pasolini, Sergio Leone, Luchino Visconti, and Michelangelo Antonioni). Finally, it looks at the New Wave directors in Spain (Marco Ferreri, Luis Buñuel) and Sweden (Vilgot Sjöman). Written by Shatterdaymorn

Country: UK
Watch Episode
HD The Story of Film: An Odyssey

The Story of Film: An Odyssey

EPS02

The Story of Film: An Odyssey

HD
IMDb: 8.0
2011

The Story of Film looks at the period 1918-1928 and examines the growth of Hollywood as the center of an entertainment industry. It looks at the story telling techniques of The Thief of Bagdad (1924) and looks at the comedy work of Buster Keaton, Charlie Chaplin, and Harold Lloyd. It examines the birth of documentary film-making with Nanook of the North (1922) before discussing Erich Von Stroheim and his ultra-realistic film Greed (1924). It also looks at King Vidor's influential The Crowd (1928) and how Hollywood rejected its non-optimistic take on New York Life. It also looks at several major Soviet films of the 1920s and the work of Carl Theodor Dreyer. Written by Shatterdaymorn

Country: UK
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