An experimental film to examine metaphysical conception of the beginning. The work embodies the philosophic and the scientific perceptions of materialization, expressed as various forms of origin. Additional to the conceptions, the scene is blended by artist's indefinable memory represented as a white bright room and tunnel leading to a source of light. The screenplay crossovers between the reality and memory, generating a imagination unrestricted by plot and time. The film consists various imaginary conceptions of the beginning such as , a birth of aether, a birth of sun, a birth of earth, and birth of life. Each segment is inserted after a flash, going back in time and coming back to present. Central to the work is a wine red fabric represented in a organic form, allowing the viewers to interpret their own explanation toward the element of life. The spinning motion is a metaphor toward common force of existence seen among micro-macro phenomena in our universe, musically scored with ...
You May Also Like
A single father begins to narrate the story of the missing mother to his child and nothing remains the same.
When a composer must finish her late mentor's concerto, she discovers that playing its music summons deadly consequences.
On the eve of the Second World War, two of the greatest minds of the twentieth century, C.S. Lewis and Sigmund Freud converge for their own personal battle over the existence of God. The film interweaves the lives of Freud and Lewis, past, present, and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.
Guthlee, son of a poor sweeper, has a dream - to go to school. But the obstacle is his caste. A headmaster is sympathetic to him but powerless against caste discrimination. When they develop an unspoken bond, Guthlee's dream sees hope.
Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.
Irma falls in love with Galang, her cousin who already has a wife and children. Irma is very obsessed and wants to be the only woman in Galang's life. Irma comes to the shaman to send black magic to Galang's wife. Since then terror and mystical disturbances, possession and death have occurred in Galang's house. However, the threat also targeted Irma herself.