In today's media, the status quo can flip so abruptly that news outlets are forced to reshape themselves. On January 1, 2014 as recreational marijuana explodes off the shelves of Colorado dispensaries, The Denver Post is telling the story. The Cannabist is the first pot section of a major newspaper and Ricardo Baca, the world's first marijuana editor sets out to report history in the making with a team of straight-laced staff writers and offbeat freelancers. Policy news, strain reviews, parenting advice and edible recipes are the new norm on a new beat: pot journalism. Legalization is an experiment for society and a risk for the dying industry of newspapers to hedge its bets on a new one.
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What would it be like if your last name was Hitler? Director Matt Ogens seeks that answer by intimately portraying a diverse group of individuals with that same unfortunate name.
A gray winter sky hangs over lonely city streets, rotted oil derricks, and abandoned factories. This is Oil City, Pennsylvania, a fading industrial town in the heart of the American rust belt. It is the sort of town that Barrack Obama had in mind when he made his infamous comments about bitter small town residents clinging to their guns and religion as they watch the rest of the world pass them by. The peace and quiet is shattered when the filmmaker, Oil City native Joe Wilson, places the announcement of his wedding to another man in the local paper. The announcement catches the eye of Kathy Springer, a local woman whose teenage son, CJ, is being brutally tormented at school because he is gay. Ignored by the school authorities and with no where else to turn, she seeks help from Wilson and they begin a difficult but ultimately successful struggle to take on the school authorities who made every day "eight hours of pure hell" for CJ. The announcement has a very different effect on Diane... Written by Dean Hamer
Determined to stop a gas mine being built near her inner-city Sydney home, Anna Broinowski, in a world first, goes to North Korea to meet the masters of propaganda filmmaking, who teach her how to make a revolutionary drama in which "heroic workers" overthrow the "evil gas miners" - all executed in the Dear Leader's proudly melodramatic style. Back in Sydney, Anna's brave western cast follow the North Koreans' instructions, culminating in an uplifting, anti-capitalist drama. Written by Unicorn Films