"Salad Days: A Decade of Punk in Washington, DC (1980-90)" examines the early DIY punk scene in the Nation's Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows-without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry's subsequent implosion). Thirty years later, DC's original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction. Written by Anonymous
You May Also Like
Musician Jon Batiste attempts to compose a symphony as his wife, writer Suleika Jaouad, undergoes cancer treatment.
What would it sound like if the national anthem was written today? Anthem follows composer Kris Bowers and producer Dahi on a musical road trip across the country to reflect on “The Star-Spangled Banner†to find out.
Bronx rap artist Kemba explores the growing weaponization of rap lyrics in the United States criminal justice system and abroad — revealing how law enforcement has quietly used artistic creation as evidence in criminal cases for decades.
Filmmaker Morgan Neville captures Dave Letterman on his first visit to Dublin to hang out with Bono and The Edge in their hometown, experience Dublin, and join the two U2 musicians for a concert performance unlike any they’ve done before.
The extraordinary story of disco queen Donna Summer through a rich archive of unpublished film excerpts, home video, photographs, artwork, writings, personal audio and other recordings that span the life of one of the most iconic performers ever to shake a room to its timbers. From her early career with Giorgio Moroder in Germany, to later years more focused on spirituality and family life as a shelter from troubles associated with both notoriety and intimate wounds, her story is all the more special for being told in the first person – both singular and plural.
An inside look as the 38-year-old prepares to perform at the famed Bridgestone Arena in his hometown of Nashville, featuring never-before-seen tour footage and interviews with the musician and those closest to him. It also shows how Jelly Roll balances life on tour with philanthropic work, including a visit to a juvenile detention facility where he was incarcerated multiple times to share his story in the hopes of inspiring positive change in others.