With The Walking Dead franchise at the peak of it's popularity, Documentarians Cris Macht and Ian Vacek explore and examine why humanity is obsessed with the "zombie apocalypse". Cris and Ian interview fans that have been there since the comic book debuted in 2003 to the living rooms of the casual fan of the TV show across America, as well as everything in between including Cosplayers, Collectors, A fan that built his own Daryl Dixon Motorcycle, A pilgrimage to the filming locations in Georgia, The Convention Circuit, Cast and Crew members, and more! The film also explores that fans of the show are more than just crazy zombie lovers, it examines that community and friendships are formed over their love for the series as well as that fans have hope that humanity will always prevail in the worst case situations.
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A child possessed. An exorcist locked in combat with an ancient evil. In the battle for saving a soul, just who really is the 'Hostage to the Devil'?
Four timeless urban legends continue to haunt the psyche of the American public. This documentary follows filmmakers Joshua Zeman and Rachel Mills as they investigate the true crimes that may have spawned these urban legends, while exploring how these myths evolved and why we continue to believe. The documentary probes the following legends: The Candyman: The film travels viewers to Houston, Texas, to explore the legend of tainted candy that strikes fear in parents every Halloween. Though the legend is prolific, in actuality there is only one documented case of a child dying from tainted candy: 8-year-old Timothy O'Bryan. Timothy was poisoned on Halloween by a real life monster who used the legend to hide his crime, earning him the nickname, The Candyman. The Baby-Sitter and the Man Upstairs: As the legend goes, a babysitter tormented by a twisted caller, learns that the sadistic calls are coming from inside the house. While the babysitter has become the go-to victim in so many of our... Written by Anonymous
EXPOSED profiles eight women and men who use their nakedness to transport us beyond the last sexual and social taboos that our society holds dear. These cutting edge performers -- operating on the far edge of burlesque -- combine politics, satire, and physical comedy to question the very concept of 'normal.' Flying high with them, we get to look down on our myriad inhibitions. This film creates a unique perspective, taking the audience into the clubs an other hidden spaces where 'new burlesque' is challenging traditional notions of body, gender, and sexuality. The body types of the performers range from statuesque to trans-gender to disabled, and their personalities from sensational to scintillating. Written by Anonymous