During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.

In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.