A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

In the sequel to "Pee Wee's Big Adventure", Pee-Wee Herman has had enough with the fame and constant media attention he received after the events of the first movie, so he's now a simple farmer living quietly in a small town. But after a big storm blows their way, a circus ends up at Pee Wee's farm. So he lets the circus stay at his farm for a while. The circus decides to put on a show with one lovable star, Pee-Wee! Also, a love triangle develops between Pee-Wee, his nice fiancée Winnie, who's the local schoolteacher, and mysterious loner Gina, the circus' attractive trapeze artist. The outcome of this subplot is somewhat unexpected. Written by James Preston

Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent. Written by jdean@gslink.net