Brooke Bennett goes to Ireland for Christmas to search for her Irish roots. While there, she meets Aiden Hart, Earl of Glaslough. Mistaken for an elite event planner, she’s hired to host his castle’s epic Christmas party.

The elder one of each generation in the Furlong family is equipped with an extraordinary capacity. James discovers the nature of his at the time of an accident which causes the death of his father and his grandmother. Haunted by this mysterious evil he hides in a forest not to harm anybody. A few years later, Mae also takes refuge it in the forest and meets James.

John Huston's last film is a labor of love at several levels: an adaptation of perhaps one of the greatest pieces of English-language literature by one of Huston's favorite authors, James Joyce; a love letter to the land of his ancestors and the country where his children grew up; and the chance to work with his screenwriter son Tony and his actress daughter Anjelica. The film is delicate and unhurried, detailing an early January dinner at the house of two spinster musician sisters and their niece in turn-of-the-century Ireland, attended by friends and family. Among the visiting attendees are the sisters' nephew Gabriel Conroy and his wife Gretta. The evening's reminiscences bring up melancholy memories for Gretta concerning her first, long-lost love when she was a girl in rural Galway. Her recounting of this tragic love to Gabriel brings him to an epiphany: he learns the difference between mere existence and living. The all-Irish cast and careful period detail give the piece richness... Written by Russ W. russwlkr@ix.netcom.com