Céline, 11, meets Peter, 40. Together they go on a "luminous journey" in his beautiful red truck. She, escaping her desperate and incestuous father; he, far from his native England and the sad memory of his lost wife and daughter. In the course of a few days, a few words, Céline experiences her first true moments of childhood and lightness, exhilaration and trust. Peter goes towards the last days of a life that he offers, like a sublime and aging angel, to this wounded child.
The narrator (Jean-Louis), a devout Catholic, moves to a provincial town and vows to marry Francoise, a pretty blond he notices at mass. Vidal, an old school friend, invites him to visit the recently divorced Maud, and the narrator ends up staying the night, having philosophical discussions in her bedroom. Next morning the narrator engineers a meeting with Francoise. Written by Will Gilbert
Renowned filmmaker Sandy Bates is in a professional transition, directing largely comedies early in his career now wanting to direct more serious movies so that he can explore the meaning of life, most specifically his own. Most are fighting him all along the way, including the movie going public, who continually tell him that they love his movies especially the earlier funny ones, to studio executives who are trying to insert comic elements wherever possible into his current movie in production. He reluctantly agrees to attend a weekend long film festival of his movies. Despite the throng of requests for his time, he is further able to reflect on his life as he addresses the questions at the post screening QandA sessions. He also reflects specifically on his love life as his current girlfriend, married Isobel, shows up unexpectedly, and as he starts to fall for festival attendee Daisy - at the festival with her Columbia professor boyfriend, Jack Abel - who reminds him of Dorrie, a ... Written by Huggo
John Morlar is watching the British television broadcast when an anchorman states that American astronauts are trapped in orbit around the moon. Suddenly someone in Morlar's room picks up a figurine and strikes him on the head repeatedly. His blood splatters the television screen. A French police inspector, Brunel, arrives at Morlar's apartment to begin an investigation. At first he thinks Morlar is dead, but soon he hears him breathe. At the hospital, Morlar is hooked up to life support systems, one machine in particular monitors the activity of his battered brain. Brunel discovers that Morlar has been in psychological analysis because of his history of being witness to many disasters, other people's disasters. Dr. Zonfeld, Morlar's analyst, explains that Morlar's delusions had begun when he was a child. He believed that he had caused a hated nanny's death. Morlar's childhood delusions were reinforced at a resort when he overheard his parents discussing him with disapproval. When his... Written by alfiehitchie