A young woman unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.

Jeffrey Hansen has had a lot of bad days in his life. He is having another one today. A minor setback that seems easy enough for anyone else to overcome breaks Jeffrey's spirit. He is sent spiraling into memories of lost loves, ruined lives, casualties of war, and the heartache of never being enough. As he wrestles with his past, he is plunged into an epic battle with himself that ends with an act of mercy.

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.

Sarah, a struggling young woman, agrees to volunteer as a test subject and be implanted with the LEXX nanochip for a pharmaceutical company experiment. She hopes that the money received for her participation will solve her financial troubles. When the implant turns sinister and orders her to commit crimes, Sarah is plunged into a murderous spiral with only one choice: to live or die.

The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance.

In 1961, a 60 year old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.

A struggling vampire romance novelist must defend herself against real-life vampires during Christmas in Lake Tahoe.