J.J. Hunsecker, the most powerful newspaper columnist in New York, is determined to prevent his sister from marrying Steve Dallas, a jazz musician. He therefore covertly employs Sidney Falco, a sleazy and unscrupulous press agent, to break up the affair by any means possible. Written by David Levene D.S.Levene@durham.ac.uk

In 1927 Kansas City Pete Kelly and his jazz band play nightly at a speakeasy. A local gangster starts to move in on them and when their drummer is killed Kelly gives in, even though this also means taking the thug's alcoholic girl as a singer. Kelly soon realises he has made a big mistake selling out in this way and that rich girl Ivy is now the only decent thing in his life. Written by Jeremy Perkins jwp@aber.ac.uk

Anne Welles, a bright, brash young New England college grad leaves her Peyton Place-ish small town and heads for Broadway, where she hopes to find an exciting job and sophisticated men. During her misadventures in Manhattan and, later, Hollywood, she shares experiences with two other young hopefuls: Jennifer North, a statuesque, Monroe-ish actress who wants to be accepted as a human being, but is regarded as a sex object by all the men she meets, and Neely O'Hara, a talented young actress who's accused of using devious means by a great older star (Helen Lawson) to reach the top, pulling an "All About Eve"-type deception in order to steal a good role away from her. Written by filmfactsman

Reclusive Dr. Zorba has died and left his eerie mansion to his penniless nephew Cyrus Zorba and his family. Along with the house, the Zorba family has also inherited the occultist's collection of 12 ghosts, who can only be seen through Zorba's special goggles. The family members, their lives at risk upon the discovery that Dr. Zorba's fortune lies hidden somewhere in the house, receive aid from unexpected quarters as the threat to their lives is revealed. Written by Doug Sederberg vornoff@sonic.net

In Chicago in 1924, Artie Strauss and Judd Steiner are friends and fellow law students who come from wealthy backgrounds. They have few true friends as they believe all their contemporaries to be intellectually inferior. Although Judd acts arrogantly towards others his inherent weakness is understood and exploited by Artie and indeed Judd appears to relish his submissiveness to Artie. Part of their goal in life, influenced perhaps by their admiration for Nietzsche, is to experience how it feels to do anything one pleases. They thus plot to commit what they consider the perfect crime - a kidnapping and murder - not only in order to experience killing for killing's sake, but also - especially in Artie's case - to taunt the authorities after the fact. They believe themselves above the law. The actual killing of little Paulie Kessler, and the subsequent attempts to cover their tracks, are not so perfect however. Sid Brooks, a fellow student (who also works for the Globe newspaper) whom ... Written by Huggo, edited with some additional material by Chrid