Lilah Krytsick is a mother and housewife who's always believed she could be a stand-up comedian. Steven Gold is an experienced stand-up seemingly on the cusp of success. When the two meet, they form an unlikely friendship, and Steven tries to help the untried Lilah develop her stage act. Despite the objections of her family and some very wobbly beginnings, Lilah improves, and soon she finds herself competing with Steven for a coveted television spot.
Lawyer Stephen Blume, specialized in divorces, lives a paradoxical situation when, having his own marriage break up, is still in love with his ex-wife. Gedorge Segal plays a divorce lawyer who is divorced himself after his wife (Susan Anspach) catches him cheating on her. She, in turn, moves on and falls into an easy-going relationship with an even more easy-going musician (Kris Kristofferson in one of his first film roles). But Blume chooses this moment to fall back in love with his ex-wife (Marsha Mason) and begins to woo her anew.
Talented rock star John Norman Howard has seen his career begin to decline. Too many years of concerts and managers and life on the road have made him cynical and the monotony has taken its toll. Then he meets the innocent, pure and very talented singer Esther Hoffman. As one of his songs in the movie says "I'm gonna take you girl, I'm gonna show you how." And he does. He shows Esther the way to stardom while forsaking his own career. As they fall in love, her success only makes his decline even more apparent. Written by A. Lloyd Adams [aadams@airmail.net]
John Herzfeld deftly welds together a multitude of subplots-- a loser hitman and a cool assassin involved in an insurance scam; a washed-up director, turned suicidal, if only he had someone to care for his beloved dog; a snooty art dealer, wracked by kidney stones, cared for by his devoted assistant; a grungy deranged vice cop, now partnered with a fresh-faced rookie; and two beautiful and jealous women entangled in their deadly scheme--into a spoof of the crime thriller genre. Written by Tad Dibbern DIBBERN_D@a1.mscf.upenn.edu
In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior, strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. Written by Julian Reischl julianreischl@mac.com
Beverly Hills couple Barbara and Dave Whiteman are very rich but not happy Dave is a hard working business man, his wife is only interested in yoga, aerobics and other meditation classes, and he sleeps with the house maid. Their teenage son is confused about his sexuality and their daughter is suffering from eating disorders. While they are celebrating thanksgiving having plenty of food, street tramp Jerry is hungry, homeless, sleeping rough and has lost his dog. Jerry decides to end his life by drowning himself in their swimming pool. Dave rescues him and invites him to stay for a while. How does this stranger change the life style of this family? Written by Sami Al-Taher staher2000@yahoo.com
In the mid-1980s, three women (each with an attorney) arrive at the office of New York entertainment manager Morris Levy. One is a singer from Los Angeles, formerly of the Platters; one is a petty thief from Philadelphia; one teaches high school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three widows come together and establish their own bond. Written by jhailey@hotmail.com