Hadley and Oliver begin falling in love on a flight from New York to London, but when they lose each other at customs, can they defy all odds to reunite?

Sneaking out. Hooking up. Melting down. The cast and crew of a blockbuster action franchise attempt to shoot a sequel while quarantining at a posh hotel.

In a world where walking, talking, digitally connected bots have become children's best friends, an 11-year-old finds that his robot buddy doesn't quite work the same as the others do.

After being left at home by himself for the holidays, 10-year-old Max Mercer must work to defend his home from a married couple who tries to steal back a valuable heirloom.

Tom the cat and Jerry the mouse get kicked out of their home and relocate to a fancy New York hotel, where a scrappy employee named Kayla will lose her job if she can't evict Jerry before a high-class wedding at the hotel. Her solution? Hiring Tom to get rid of the pesky mouse.

Based on the real scandal, BOMBSHELL is a revealing look inside the most powerful and controversial media empire of all time; and the explosive story of the women who brought down the infamous man who created it.

Rob Delaney may not yet have the name recognition of comedians like Louis C. K., Aziz Ansari or Jim Gaffigan. But with the help of his large and loyal Internet following, he is hoping he can take a page from his accomplished industry colleagues, and start creating material for and selling it directly online.

A group of stand-up comics, comedic actors and comedic filmmakers are individually interviewed about different aspects of the profession especially as it relates to their personal life. The topics of questions and answers include: the relationship with their parents with regard to their comedy; why they chose what is a natural kid's path of wanting attention as a career; when and/or how they discovered how comedy really works; the rush or high of performing; the need for public adoration; the comics that they admired early in their career and what material they may have stolen from other comics; when they knew their comedy had matured to professional status; the feeling of bombing; the relationship with peers, especially in comparison to relationships with non-comics; and the process of putting in the countless hours. The ultimate question placed to them is do you have to be miserable to be funny? Written by Huggo