Fame today is more than an obsession. Fame has become what millions of us follow, believe in and seemingly what we care about most - as well as a billion dollar-a-year industry. But what does our intense fascination with celebrity say about us? And how much is too high a price to pay for our own curiosity run rampant? "$ELLEBRITY" is a candid dialogue about the tone and texture of celebrity, past, present and future; an examination of our pop culture; and an honest look at the quality of our media consumption.

Austin City Limits celebrates four decades of showcasing the best music on television with Willie Nelson, Bonnie Raitt, Kris Kristofferson, Sheryl Crow, Jeff Bridges, Foo Fighters and more.

Johnny Cash: American Rebel is built around 12 essential Johnny Cash tracks spanning four decades that each deliver the passion, musicality and messages against war, injustice, racism and prejudice, including “Folsom Prison Blues,” “Jackson,” “San Quentin,” “Man in Black,” “Sunday Morning Coming Down,” “Ring of Fire” and “Hurt.” Each song illustrates a chapter in his life, as well the story of an ever-changing America from the 1950s to modern day, as told through interviews, archival concert footage, photographs and personal artifacts from the Cash family.

The Minus Man is a 1999 film based on the novel by Lew McCreary. It was directed by Hampton Fancher, who also wrote the screenplay. The film centers on a psychotic killer whom Fancher describes as "a cross between Psycho's Norman Bates, Melville's Billy Budd and Being There's Chauncey Gardner"

An intimate but explosive portrait of the man behind the greatest fraud in sporting history. Lance Armstrong enriched himself by cheating his fans, his sport, and the truth. But the former friends whose lives and careers he destroyed would prove to be his nemesis. Written by Anonymous

The backup singer exists in a strange place in the pop music world; they are always in the shadow of the feature artists even when they are in front of them in concert while they provide a vital foundation for the music. Through interviews with veterans and concert footage, the history of these predominately African-American singers is explored through the rock era. Furthermore, special focus is given to special stand outs who endeavored to make a living in the art burdened with a low profile and more personal career frustrations, especially those who faced the very different challenge of singing in the spotlight themselves. Written by Kenneth Chisholm (kchishol@rogers.com)