In July 2005, black teenager Anthony Walker was murdered by two white men in an unprovoked racist attack in a Liverpool park. He was just 18 years old. This film tells the story of how this talented young man's life might have turned out.

With their golden era long behind them, comedy duo Stan Laurel and Oliver Hardy embark on a variety hall tour of Britain and Ireland. Despite the pressures of a hectic schedule, and with the support of their wives Lucille and Ida – a formidable double act in their own right – the pair's love of performing, as well as for each other, endures as they secure their place in the hearts of their adoring public

At a party teen-ager Ashley meets the older Reece, whom she finds handsome and charming with the ability to make her feel special. They start dating and, whilst it is apparent that he is pathologically jealous and possessive, the naïve young girl initially finds it reassuring that he cares for her alone. However when she is pregnant he viciously hits out at her, later apologizing in floods of tears and begging forgiveness. Ashley assumes that it was her fault for antagonizing him but his violence continues and he becomes ever more controlling. She decides to leave him but he is not the sort of boy to take rejection lightly and tragedy results. Written by don @ minifie-1

During the London Blitz of World War II, Catrin Cole is recruited by the British Ministry of Information to write scripts for propaganda films that the public will actually watch without scoffing. In the line of her new duties, Cole investigates the story of two young women who supposedly piloted a boat in the Dunkirk Evacuation. Although it proved a complete misapprehension, the story becomes the basis for a fictional film with some possible appeal. As Cole labors to write the script with her new colleagues such as Tom Buckley, veteran actor Ambrose Hilliard must accept that his days as a leading man are over as he joins the project. Together, this disparate trio must struggle against such complications such as sexism against Cole, jealous relatives, and political interference in their artistic decisions even as London endures the bombs of the enemy. In the face of those challenges, they share a hope to contribute something meaningful in this time of war and in their own lives. Written by Kenneth Chisholm (kchishol@rogers.com)