Two serial killers meet and fall in love in an asylum for the criminally insane. Upon escaping their corrupt captors, they flee to the country to try and lead a happy, normal life. Unfortunately, "normal" turns out to be a state of mind...an elusive state of mind.

Michael Mann's (HEAT, MIAMI VICE) gutsy telefilm tells the tale of two skilled professionals--one a cop, the other a criminal--who aren't as different as they think.Vincent Hanna (Scott Plank) is an intense cop on the trail of ruthless armed robber Patric McLaren (Alex McArthur). After a botched heist, the two men confront each via a full scale battle on the seedy streets of Los Angeles.

Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and rock and roll is pushing the Four Lads off the Hit Parade. Ben, a high school senior, and his older brother Van are exploring "the other": in Ben's case, it's friendship with Sylvia, a Black student; with Van, it's a party in the WASP part of town and falling for a debutante, Dubbie. Sylvia gives Ben tickets to a James Brown concert; Dubbie invites Van to a motel: new worlds open. Meanwhile, their dad Nate, who runs a numbers game, loses big to a small-time pusher, Little Melvin; a partnership ensues. Written by jhailey@hotmail.com

Truman, a Chicago cop, sets out to find the killer of his brother. Meanwhile, another of his brothers, Briar (a hillbilly) decides to find the killer himself. Written by Rob Hartill

Tommy Jarvis returns to the graveyard to make sure Jason Voorhees is dead and accidentally brings him back to life. Now it's up to Tommy to stop Jason's mindless killing and put him back where he belongs. Written by Michael Silva silvamd@cleo.bc.edu