Sybille, a divorced mother, who refuses to accept that her 18-year-old son, Samuel, is sinking into violence. Prey to her own past and present demons, she decides to take Samuel on a long trip to Kyrgyzstan. Accompanied only by their two horses, mother and son go on an adventure where they will face the dangers and surprises of nature, which is spectacular, hostile and beautiful. Beyond encounters with the Kyrgyz people, the trip will provide the opportunity for an inevitable confrontation...

Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah's Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.

Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphan victims of the Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.

Fifteen years earlier, Marie, a well off young woman, had set up house with Boris, a working class man. They loved each other and had twin daughters, Jade and Margaux. But now, Marie and Boris do not get along anymore and have decided to get a divorce. The trouble is that Boris cannot afford to find a new place of his own and, in the meantime must continue to cohabit. Marie desperately wants Boris away and cannot put up with him any longer. Her partner, for his part, will not leave home unless she gives him half of what the house is worth. Marie refuses because she is the one who bought the place. Boris refuses because he renovated it and brought considerable added value to their belonging. The situation is deadlocked. How will they get out of this hell? Written by Guy Bellinger