Captain Scarlet and the Mysterons, often referred to as Captain Scarlet, is a 1960s British science-fiction television series produced by the Century 21 Productions company of Gerry and Sylvia Anderson, John Read and Reg Hill. First broadcast on ATV Midlands from September 1967 to May 1968, it has since been transmitted in more than 40 other countries, including the United States, Australia, New Zealand and Japan. Characters are presented as marionette puppets alongside scale model sets and special effects in a filming technique that the Andersons termed "Supermarionation". This technology incorporated solenoid motors as a means of synchronising the puppet's lip movements with pre-recorded dialogue. Set in 2068, Captain Scarlet presents the hostilities between Earth and a race of Martians known as the Mysterons. After human astronauts attack their city on Mars, the vengeful Mysterons declare war on Earth, initiating a series of reprisals that are countered by Spectrum, a worldwide security organisation. Spectrum boasts the extraordinary abilities of its primary agent, Captain Scarlet. During the events of the pilot episode, Scarlet acquires the Mysteron healing power of "retro-metabolism" and is thereafter considered to be virtually "indestructible", being able to recover fully from injuries that would normally be fatal.
After a list of names is found in the shoe of a dead woman, one of the named people begins investigating and is drawn to the The Pale Horse, the home of a trio of rumored witches living in a small village. Word has it that the witches can do away with wealthy relatives using dark arts.
Irish Mike Craughwell lives on the island of Martha's Vineyard, where he builds giant custom swords.
Over-achieving daughter, Jilly, has long felt the neglect of her wealthy family. After a fall from her thoroughbred, Jilly develops a growing addiction to prescription painkillers, which she can no longer hide. As the family unravels in the face of this addiction, long-held secrets are unlocked that test each generation of this "perfect" family.
The Masire brothers rule Johannesburg's criminal underworld, but a supernatural family curse and a tangled web of betrayal threaten to destroy them.
For the first time go inside McLaren, the most prestigious team in Formula 1 racing. Gain unprecedented access to the drivers, engineers, and leaders of McLaren to see what it takes to compete at the highest level.
The Test: A New Era for Australia’s Team, is a docuseries following the Australian Men’s Cricket Team, offering a behind-the-scenes look at how one of the world’s best cricket teams fell from grace and was forced to reclaim their title and integrity.
The show will feature ten men and ten women looking to improve their fitness who will be paired with trainers specializing in strength and conditioning. Like with The Biggest Loser, the series will chronicle the contestants' transformation as they get eliminated until a winner is named. Written by Deadline
Sergeant Ruawai Maaka of the Wellington Police enlists the aid of Officers Minogue and O'Leary to tackle paranormal events in New Zealand's capital city. In a police reality show style, the 6 part series follows these kiwi cops as they investigate cases such as the demon possession of a teenager, a noise complaint at a haunted house and a blood bank robbery. Written by Paul Yates (Producer)
Small-town residents from across America are recruited and trained to participate in a one-night-only drag show. In each episode, former RuPaul’s Drag Race contestants Bob the Drag Queen, Eureka O’Hara and Shangela Laquifa Wadley will help prepare their “drag daughters” by teaching them how to step outside of their comfort zones.
King Arthur's Disasters is a British animated series which first aired on CITV, a now defunct programming block on ITV1. The series was Co-Created by Paul Parkes and Will Ashurst, the series follows and depicts attempts by King Arthur, assisted by the wizard Merlin, to woo the beautiful self-obsessed Princess Guinevere. Due to the popularity of the show, it was picked up for a second series which began transmission on CITV from 6 November 2005. Both were Executive Produced by Genevieve Dexter King Arthur's Disasters was the highest rated new CITV show during Spring 2005. It regularly achieved an audience share of over 20% of kids and it regularly won its time slot against CBBC. In 2006 the show was nominated for a children's BAFTA for Best Animation, however lost to The Amazing Adrenalini Brothers.
A holiday-inspired dating series set in a stunning winter wonderland. Follow a cast of singles as they step into a real-life romantic comedy full of cozy sweaters, fireside cuddles, and mistletoe kisses, all arranged to help these souls find love - just in time for the holidays.
A funny and hopeful look at the search for love, sex and connection during this time of social distancing.