Season 01
Season 02
Season 03
Season 04
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
All Episodes - S02
EPS01
A cable car in San Francisco careens out of control, and it's up to Mickey and Minnie to stop it.
EPS01
A cable car in San Francisco careens out of control, and it's up to Mickey and Minnie to stop it.
EPS01
A cable car in San Francisco careens out of control, and it's up to Mickey and Minnie to stop it.
EPS02
Minnie's apartment building is burning and Mickey attempts to save her. But first, he must also tend to every single one of the building's other tenants as well.
EPS02
Minnie's apartment building is burning and Mickey attempts to save her. But first, he must also tend to every single one of the building's other tenants as well.
EPS02
Minnie's apartment building is burning and Mickey attempts to save her. But first, he must also tend to every single one of the building's other tenants as well.
EPS03
Minnie puts some new perfume in preparation for a date with Mickey, but it enchants the whole city.
EPS03
Minnie puts some new perfume in preparation for a date with Mickey, but it enchants the whole city.
EPS03
Minnie puts some new perfume in preparation for a date with Mickey, but it enchants the whole city.
EPS04
Mickey fights for a seat at O Futebol Classico.
EPS04
Mickey fights for a seat at O Futebol Classico.
EPS04
Mickey fights for a seat at O Futebol Classico.
EPS05
Mickey, Donald and Goofy visit a science museum, but Mickey and Goofy are shrunk down to molecule size by a shrink ray and then are accidentally swallowed by Donald.
EPS05
Mickey, Donald and Goofy visit a science museum, but Mickey and Goofy are shrunk down to molecule size by a shrink ray and then are accidentally swallowed by Donald.
EPS05
Mickey, Donald and Goofy visit a science museum, but Mickey and Goofy are shrunk down to molecule size by a shrink ray and then are accidentally swallowed by Donald.
EPS06
Goofy's grandmother visits Mickey, but there's more to this sweet old lady than meets the eye.
EPS06
Goofy's grandmother visits Mickey, but there's more to this sweet old lady than meets the eye.
EPS06
Goofy's grandmother visits Mickey, but there's more to this sweet old lady than meets the eye.
EPS07
Mickey is eager to ride on Donald's sailboat, but Donald reveals a shocking secret: he doesn't know how to sail.
EPS07
Mickey is eager to ride on Donald's sailboat, but Donald reveals a shocking secret: he doesn't know how to sail.
EPS07
Mickey is eager to ride on Donald's sailboat, but Donald reveals a shocking secret: he doesn't know how to sail.
EPS08
What is supposed to be a routine trip for Mumbai rickshaw driver Mickey Mouse driving a jolly elephant passenger to a mountain turns out to be the journey of a lifetime with a very special guest.
EPS08
What is supposed to be a routine trip for Mumbai rickshaw driver Mickey Mouse driving a jolly elephant passenger to a mountain turns out to be the journey of a lifetime with a very special guest.
EPS08
What is supposed to be a routine trip for Mumbai rickshaw driver Mickey Mouse driving a jolly elephant passenger to a mountain turns out to be the journey of a lifetime with a very special guest.
EPS09
Mickey must rid the apartment basement of a monster.
EPS09
Mickey must rid the apartment basement of a monster.
EPS09
Mickey must rid the apartment basement of a monster.
EPS10
Mickey and Pluto engage in a routine space mission, but then, at the least opportune moment, Pluto needs to go to the bathroom.
EPS10
Mickey and Pluto engage in a routine space mission, but then, at the least opportune moment, Pluto needs to go to the bathroom.
EPS10
Mickey and Pluto engage in a routine space mission, but then, at the least opportune moment, Pluto needs to go to the bathroom.
EPS11
When a monkey swipes Mickey's clothes before he is to give his friends a cruise through the jungle, the gang mistakes the monkey for Mickey and vice-versa.
EPS11
When a monkey swipes Mickey's clothes before he is to give his friends a cruise through the jungle, the gang mistakes the monkey for Mickey and vice-versa.
EPS11
When a monkey swipes Mickey's clothes before he is to give his friends a cruise through the jungle, the gang mistakes the monkey for Mickey and vice-versa.
EPS12
Minnie tries to get a windmill running to save a flower in her garden.
EPS12
Minnie tries to get a windmill running to save a flower in her garden.
EPS12
Minnie tries to get a windmill running to save a flower in her garden.
EPS13
Goofy has fallen in love, so it's up to Mickey and Donald to help him be presentable.
EPS13
Goofy has fallen in love, so it's up to Mickey and Donald to help him be presentable.
EPS13
Goofy has fallen in love, so it's up to Mickey and Donald to help him be presentable.
EPS14
Minnie inadvertently feeds Pluto so many dog treats that he becomes overweight.
EPS14
Minnie inadvertently feeds Pluto so many dog treats that he becomes overweight.
EPS14
Minnie inadvertently feeds Pluto so many dog treats that he becomes overweight.
EPS15
Mickey and Donald struggle to help Goofy at a job interview.
EPS15
Mickey and Donald struggle to help Goofy at a job interview.
EPS15
Mickey and Donald struggle to help Goofy at a job interview.
EPS16
Mickey's red-hot temper entices a bull to chase him down the streets of Pamplona, Spain.
EPS16
Mickey's red-hot temper entices a bull to chase him down the streets of Pamplona, Spain.
EPS16
Mickey's red-hot temper entices a bull to chase him down the streets of Pamplona, Spain.
EPS17
Mickey goes to buy a bottle of lemonade during the Grand Prix and must keep it safe as he takes it to Minnie.
EPS17
Mickey goes to buy a bottle of lemonade during the Grand Prix and must keep it safe as he takes it to Minnie.
EPS17
Mickey goes to buy a bottle of lemonade during the Grand Prix and must keep it safe as he takes it to Minnie.
EPS18
Mickey tries to find the perfect flower for Minnie, which proves to be no easy task.
EPS18
Mickey tries to find the perfect flower for Minnie, which proves to be no easy task.
EPS18
Mickey tries to find the perfect flower for Minnie, which proves to be no easy task.
EPS19
Mickey enters a rodeo contest to bail his friends out of a bad situation.
EPS19
Mickey enters a rodeo contest to bail his friends out of a bad situation.
EPS19
Mickey enters a rodeo contest to bail his friends out of a bad situation.
EPS20
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS20
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS20
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS21
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS21
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS21
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS22
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS22
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS22
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS23
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS23
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS23
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS24
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS24
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS24
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS25
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS25
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS25
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS26
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS26
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS26
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS27
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS27
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS27
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS28
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS28
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS28
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS29
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS29
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS29
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS30
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS30
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS30
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS31
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS31
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS31
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS32
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS32
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS32
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS33
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS33
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS33
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS34
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS34
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS34
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS35
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS35
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS35
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS36
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS36
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS36
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS37
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS37
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS37
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS38
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS38
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS38
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS39
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS39
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS39
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS40
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS40
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)
EPS40
Produced in 2D animation, the design esthetic for the Mickey Mouse cartoon shorts reaches back almost 80 years and borrows reverentially from the bold style of his 1930s design, but not before adding a few contemporary touches. Designs for other characters have a similar approach, favoring a rubber-hose cartoon style for more exaggerated animation. Background designs closely reflect the graphic design sense of 1950s and 1960s Disney cartoons. And for those true eagle-eyed Disney fans, the production team has also included the occasional homage to other icons from the storied Disney heritage. Written by Ramon Sanchez (I)